Our Artists

Return to Singers in the News...

Asawa, Brian Countertenor
In 1991, Brian Asawa's career was launched when he became the first countertenor to win the Metropolitan Opera National Council Auditions. He was the first countertenor Adler Fellow for San Francisco Opera, and is the only countertenor in history to win the Placido Domingo "Operalia" International Opera Competition. He was also awarded Seattle Opera's Artist of the Year Award for his portrayal of Arsamene in Handel's Xerxes.

Since 1993 he has appeared in opera houses world wide singing signature roles such as Tolomeo in Handel's Giulio Cesare for Seattle Opera, Metropolitan Opera, Bordeaux Opera, Opera Australia, Royal Opera House, Covent Garden, Paris Opera at Palais Garnier, Madrid's Teatro Real, Barcelona's Gran Teatre del Liceu, New Israeli Opera, and Hamburg Staatsoper. Other roles include: Prince Orlofsky in Johann Strauss' Die Fledermaus for San Francisco Opera and San Diego Opera; Arsamene in Handel's Serse for Los Angeles, Cologne, and Santa Fe Operas, and Grand Théâtre de Genève; Farnace in Mozart's Mitridate for Theatre de la Monnaie, Brussels; Belize in Peter Eotvos's Angels in America; Mascha in Eotvos's Tri Sestri and Ottone in Monteverdi's L'Incoronazione di Poppea for Hamburg, the last also for Glimmerglass Opera; Nero in Poppea for Opera Australia; Endimione in Cavalli's La Calisto in Brussels; Fyodor in Mussorgsky's Boris Godunov for Netherlands Opera and Teatre del Liceu in Barcelona; Orfeo in Gluck's Orfeo ed Euridice for Nederlandse Opera; David in Handel's Saul for Bayerische Staatsoper, Munich; Oberon in Britten's A Midsummer Night's Dream for San Francisco and Houston Grand Operas and Teatro di San Carlo in Napoli; and Baba the Turk in Stravinsky's The Rake's Progress for Swedish Television One and San Francisco Opera.

Most recently, he has appeared as Prince Go-Go in a new co-production of Le Grand Macabre by Ligeti with Brussels La Monnaie/Opera di Roma, and Carmina Burana with the London Symphony Orchestra in Daytona Beach.

Future engagements include Le Grand Macabre in Adelaide, Australia to celebrate the 50th anniversary of the Adelaide Festival, Angels in America with the BBC Symphony Orchestra at the Barbican Centre in London, a three countertenors concert in the Grote Saal of the Concertgebouw in Amsterdam, Carmina Burana in Ontario, Canada, Handel's Messiah with the Minnesota Orchestra and Le Grand Macabre at Teatro del Liceu in Barcelona.

Management
Askonas Holt:
www.askonasholt.co.uk

Buffs Performance(s):
Grants awarded: Boris Godunov (Mussorgsky)
Messiah (Handel)(2)
Il Ritorno d'Ulisse in Patria (Monteverdi)
Arcadian Duets (Handel) Asawa and Dessay
More Than a Day: Music of Ned Rorem
Scarlatti Cantatas, Volume III, Nicholas McGegan
Rachmaninoff-Vocalise
The Faces of Love: The Songs of Jake Heggie
Mitridate (Mozart)
Serse (Handel)
Brian Asawa:Vocalise
Brian Asawa: The Dark is My Delight And Other 16th Century lute Songs with David Tayler
A Midsummer Night's Dream (Britten)
Judas Maccabaeus (Handel)
Website: www.brianasawa.com

Return to Singers in the News...